About the Delta Blues

The Delta blues is one of the earliest styles of blues music. It originated in the Mississippi Delta, a region of the United States stretching from Memphis, Tennessee, in the north to Vicksburg, Mississippi, in the south and from Helena, Arkansas, in the west to the Yazoo River in the east. Guitar and harmonica are its dominant instruments. Vocal styles in Delta blues range from introspective and soulful to passionate and fiery.

Although Delta blues certainly existed in some form or another at the turn of the 20th century, it was first recorded in the late 1920s, when record companies realized the potential African-American market for “race records”.

The major labels produced the earliest recordings, consisting mostly of one person singing and playing an instrument. Live performances, however, more commonly involved a group of musicians. Current belief is that Freddie Spruell is the first Delta blues artist to have been recorded; his “Milk Cow Blues” was recorded in Chicago in June 1926.

Son House first recorded in Grafton, Wisconsin, in 1930 for Paramount Records. Charley Patton also recorded for Paramount in Grafton, in June 1929 and May 1930. He also traveled to New York City for recording sessions in January and February 1934. Robert Johnson recorded his only sessions, for ARC, in San Antonio in 1936 and Dallas in 1937.

The defining characteristic of Delta blues is instrumentation and an emphasis on rhythm and the basic harmonic structure. Delta blues is a style as much as a geographical form: Skip James and Elmore James, who were not born in the Delta, are considered Delta blues musicians. Performers traveled throughout the Mississippi Delta, Arkansas, Louisiana, Texas, and Tennessee. Eventually, Delta blues spread out across the country, giving rise to a host of regional variations, including Chicago blues and Detroit blues.

Delta blues songs are typically expressed in the first person and often concern love, sex, the traveling lifestyle and its tribulations, sin, salvation and death.

Music That is Mightier Than the Sword-20

There is a widely spread misconception that the Civil Rights Movement ended in the 60’s, however, this fight has never died.  It has only laid dormant for decades and has been revived through what is now known as The Black Lives Matter Movement.  The horrific injustices that people of color encounter in the US have reached yet another boiling point with the countless, unnecessary, and senseless deaths at the hands of law enforcement.

 

Movements such as these have always been fueled by a spirit of perseverance and hope for positive change through the artistic medium of song. Artists like:

 

  • Janelle Monae (Hell You Talmbout’)
  • Tink (Tell the Children)
  • Julie Polter (Strange Fruit)
  • Lauryn Hill (Black Rage)
  • Ceebo Tha Rapper (I Get Out, They Don’t Care About Us, Fuck Tha Police, Mr. Officer)
  • Tef Poe (War Cry)
  • Lil’ Herb (Fight or Flight)
  • Cole (Be Free)

 

have all  masterfully crafted songs that express the emotions and feelings behind the movement and have proven that music are mightier than the sword. The music produced during these times have had a profound impact and Black Lives Matter and this is only the beginning…

reaching out